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Film and TV

Moment of Vengeance
3:10 to Yuma
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The Moonshine War
Valdez is Coming
Joe Kidd
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52 Pickup
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Elmore Leonard’s Gold Coast (TV)
Jackie Brown
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Out of Sight
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Be Cool (2005)
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3:10 to Yuma (2007)
Killshot (2009)
Freaky Deaky
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Life of Crime

Booze Movies - The Moonshine War


Garv has posted Booze Movies: The 100 Proof Film Guide including Elmore Leonard’s 1970 film, The Moonshine War

Garv’s mission statement:

I like to drink. I like to watch movies. I like to watch movies about drinking. I like to write about the movies I’ve watched, but only if I’ve had a drink first.

Elmore wrote the screenplay for The Moonshine War from his novel.  On the set, Patrick McGoohan came up to him as said “What’s it like standing there hearing your words all fucked up.”

The Moonshine War has not been officially released on DVD, but you can get a copy nonetheless from Yammering Magpie Video.

Here’s Garv’s review of The Moonshine War:

It seems that there is an unwritten rule that moonshine movies are nearly always disappointing. Although the setting promises plenty of pie-eyed folksy fun, the characters tend to spend more time talking about whiskey than actually drinking it. The Moonshine War is, alas, no exception. Despite the promise of an Elmore Leonard script, from one of the author’s own novels, the picture is a pretty flat brew.

Patrick “The Prisoner” McGoohan stars as Frank Long, a crooked Prohibition agent who goes sniffing after a large stash of moonshine that his hillbilly army buddy, Son Martin (Alan Alda), put away to sell after Repeal. Long isn’t interested in arresting Son Martin and his firewater-brewing neighbors. He wants to trick Martin out of the stuff in order to sell it himself. When Martin fails to fall for Long’s tricks, the Prohibition agent elicits the help of a deranged dentist (Richard Widmark) and his psychotic sidekick (Lee Hazlewood) to provide a little muscle. Unfortunately, Long’s recruits have their own plans for the whiskey—plans that threaten to leave Long high and dry.

Elmore Leonard’s script contains some intriguingly lurid touches and some unusual, multifaceted characters. In more competent hands, The Moonshine War could have been a bizarre little psychodrama, dripping with filth, alcohol, and dark comedy. Unfortunately, Richard Quine’s direction is casual to the point of being drowsy. He showed more visual flair in the Columbo episodes that he produced around the same time.

The story is also undone through careless casting. Both McGoohan and Alda are talented, likable actors; but neither is capable of producing a credible Southern accident. McGoohan compensates by croaking most of his dialogue, while Alda’s drawl fluctuates from nonexistent to cartoonish. Most of the rest of the actors sleepwalk through their performances; but thankfully, Richard Widmark and Lee Hazlewood bring some welcome zest to the film with their spirited portrayals of a couple of laid-back psychotics.

All in all, The Moonshine War is a missed opportunity. With the elements available, it could have been the Touch of Evil of moonshine movies. Unfortunately, the finished film is simply mediocre drive-in fair—the kind of flick with just enough explosions and lewd content with which to cobble together a good trailer.

USA/100m./Dir: Richard Quine/Wr: Elmore Leonard/Cast: Patrick McGoohan (Frank Long), Alan Alda (John W. “Son” Martin), Richard Widmark (Dr. Emmett Taulbee), Lee Hazlewood (Dual Metters), Melodie Johnson (Lizann Simpson), Will Geer (Sheriff Baylor), Joe Williams (Aaron)






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