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When the Women Come Out to Dance
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Louly and Pretty Boy
Chick Killer (2011)
Ice Man

Film and TV

Moment of Vengeance
3:10 to Yuma
The Tall T
The Big Bounce (I)
The Moonshine War
Valdez is Coming
Joe Kidd
Mr. Majestyk
High Noon, Part II
52 Pickup
The Rosary Murders
Glitz (TV)
Cat Chaser
Border Shootout
Split Images
Get Shorty
Last Stand at Saber River
Elmore Leonard’s Gold Coast (TV)
Jackie Brown
Maximum Bob
Out of Sight
Karen Sisco
The Big Bounce (II)
Be Cool (2005)
The Ambassador
3:10 to Yuma (2007)
Killshot (2009)
Freaky Deaky
The Tonto Woman
Life of Crime

Elmore Leonard Week: Elmore on Rum Punch and Point-Of-View

from ‘Doing What I Do: An Interview With Elmore Leonard’ by Anthony May (Contrappasso #2, December 2012)

Dates: 1st-3rd July, 1991
Location: Elmore Leonard’s home in Birmingham, Michigan. The interview took place in Leonard’s study across his writing desk.

MAY: On dialogue, I came across a piece where crime writers were asked to name their ten favourite books and they had all these lists, and you put down just one book, George V. Higgins’s The Friends of Eddie Coyle (1970). Dialogue is outstanding in that book, and there are a couple of things that I’ve wondered about in relation to that. What does dialogue do that other forms of description can’t? One of the things that I like in your work is the way you extend certain points of view by way of dialogue, you present a character through dialogue, and then you continue it in description, in a very productive way.

Read the rest.



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